“Memory of the Garden at Etten” by Vincent van Gogh depicts the artist’s mother and sister. The garden refers to the parsonage garden at Etten, now Etten-Leur, in the Netherlands, where Vincent’s father, a pastor, had been appointed.
Vincent’s father, Theodorus van Gogh, had been assigned to Etten as a pastor. Vincent spent periods there, notably from Easter to Christmas 1881, when he returned to join his brother Theo, an art dealer.
This period at Etten represents the beginning of Vincent’s ten-year career as an artist. He had returned to Etten intending to set up a studio there. However, that summer, Vincent became obsessed with his recently widowed cousin Kee Vos-Stricker, who had been invited to stay over the summer with her eight-year-old son Jan.
Vincent and Kee started taking pleasant walks together, and Vincent developed tender and romantic feelings. Within the fortnight Vincent proposed marriage. She famously rebuffed him and quickly left for Amsterdam and never wanting to deal with him again.
Vincent’s obsessive attempts to press his suit eventually became a matter of family scandal. He had a bitter quarrel with his father on Christmas Day and then left the family home to set up his proposed studio in The Hague instead.
Vincent subsequently painted in Nuenen, his previous family home, and Antwerp, before joining Theo in Paris in 1886. Finally, he set up a studio in 1888 at the Yellow House in Arles, where he was joined by Paul Gauguin, intending to form an artists’ commune.
Arlésiennes (Mistral) by Paul Gauguin
“Memory of the Garden at Etten” was intended as a decoration for his bedroom at the Yellow House. Vincent van Gogh’s painting was influenced by a picture that Gauguin was painting at the same time titled “Arlésiennes” (Mistral). Vincent was at pains to use his imagination in the way Gauguin was approving and supporting.
Vincent’s figures in “Memory of the Garden at Etten” are generally taken to be his mother and sister Willemien. However, others believe that the younger woman was a representation of Kee Vos Stricker, the woman he fell in love with at Etten. Vincent was somewhat enigmatic on the subject in a letter to his sister.
The younger woman stands behind his mother figure in the painting. The two women fill the foreground of the left picture frame, seemingly walking out of the scene. Behind them is a woman bent over as she works the garden. The trees and flowers are echoed in many of his other pictures during his time in Arles.
Vincent van Gogh
Vincent Willem van Gogh is among the most famous and influential figures in the history of Western art. Van Gogh was unsuccessful during his lifetime and was considered a madman and a failure.
He created about 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life.
They were characterized by bold colors and dramatic, impulsive, and expressive brushwork that contributed to the foundations of modern art.
Memory of the Garden at Etten
- Title: Memory of the Garden at Etten
- Alternative: Ladies of Arles
- Deutsch: Spaziergang in Arles (Erinnerung an den Garten in Etten)
- Français: Souvenir du Jardin à Etten (Femmes d’Arles)
- Artist: Vincent van Gogh
- Year: November 1888, Arles
- Medium: Oil on canvas
- Dimensions Height: 73.5 cm (28.9 in); Width: 92.5 cm (36.4 in)
- Museum: Hermitage Museum
Vincent van Gogh
- Name: Vincent Willem van Gogh
- Born: 1853 – Zundert, Netherlands
- Died: 1890 (aged 37) – Auvers-Sur-Oise, France
- Resting place: Cimetière d’Auvers-Sur-Oise, Auvers-Sur-Oise, France
- Nationality: Dutch
- Movement: Post-Impressionism
- Notable works:
- Starry Night
- Starry Night Over the Rhône
- Sunflowers
- Irises (Getty Museum)
- Self Portrait, dedicated to Paul Gauguin
- Portrait of the Postman Joseph Roulin
- White House at Night
- The Night Café
- Self-Portrait as a Painter
- Self Portrait with Felt Hat
- Green Wheat Field with Cypress
- The Raising of Lazarus
- Self-Portrait Mutilated Ear
- Café Terrace at Night
- Tarascon Stagecoach
- Wheatfield with Crows
- Vase with Red Poppies
- Memory of the Garden at Etten
Arlésiennes (Mistral) by Paul Gauguin
- Title: Arlésiennes (Mistral)
- Artist: Paul Gauguin
- Year: 1888
- Medium: Oil on canvas
- Dimensions: Height: 730 mm (28.74 in); Width: 920 mm (36.22 in)
- Museum: Art Institute of Chicago
- Notable works:
- Vision after the Sermon
- Where Do We Come From? What Are We? Where Are We Going?
- Self Portraits by Paul Gauguin
- Gauguin in front of his Easel
- Portrait of the Artist with the Yellow Christ
- Tahitian Women
- The Dream – Courtauld Institute of Art
- Not to work – Pushkin Museum of Fine Arts
- Three Tahitians – Scottish National Gallery
- Three Tahitian Women Against a Yellow Background – Hermitage Museum
- And the Gold of their Bodies – Musée d’Orsay
- Barbarian Tales – Museum Folkwang
- The Call – Cleveland Museum of Art
- The Siesta – Metropolitan Museum of Art
- The Moon and the Earth – Museum of Modern Art
- Hail Mary – Metropolitan Museum of Art
- Two Tahitian Women With Mango Flowers – Metropolitan Museum of Art
A Virtual Tour of the Hermitage Museum
- “Madonna Litta” attributed to Leonardo da Vinci
- Composition VI by Kandinsky
- “Portrait of Doña Antonia Zárate” by Francisco Goya
- “White House at Night” by Vincent van Gogh
- “The Three Graces” by Antonio Canova
- Egyptian Collection in the Hermitage Museum
- Gonzaga Cameo
- “Psyche Revived by Cupid’s Kiss” by Antonio Canova
- “The Stolen Kiss” by Jean-Honoré Fragonard
- “Boulevard Montmartre” by Camille Pissarro
- “Three Tahitian Women Against a Yellow Background” by Paul Gauguin
- “Conestabile Madonna” by Raphael
- “Struggle between Tiger and Bull” by Henri Rousseau
- “Landscape with Diana and Callisto” by Cornelis van Pulenburg
- “The Return of the Prodigal Son” by Rembrandt
- “Daedalus and Icarus” by Charles Le Brun
- Aphrodite Kallipygos
- “Waterloo Bridge. Effect of Fog” by Claude Monet
- “Napoleon during his campaign in Egypt” by Jean-Léon Gérôme
Memory of the Garden at Etten (Women of Arles): digital reconstruction
A Closer Look: Van Gogh and Gauguin
The Yellow House | Van Gogh & Gauguin
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“The best way to know God is to love many things.”
– Vincent van Gogh
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Photo Credit: 1) Vincent van Gogh [Public domain], via Wikimedia Commons; Paul Gauguin / Public domain
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