The Doorway from the Church of San Nicolò, San Gemini is an example of the reuse of materials during the life of medieval buildings including churches.
All of the marble used to make this doorway originally came from the ruins of nearby Roman buildings. The doorway marbles displaying an array of styles and techniques, the principal elements were carved at different times in the eleventh century.
The lions were probably made for another purpose but were reused by inserting in the door portals. The whole was assembled for the church that was one to two centuries after the original marble sculptures.
The animal imagery used in decorating the portal had symbolic significance.
The church of San Nicolò, located outside the town of San Gemini, is referenced for the first time in 1036.
It is difficult to be accurate about how the church building and features evolved as it is the result of numerous renovations.
The portal, surmounted by archivolt, was sold in 1939 by the Italian State at the Metropolitan Museum in New York.
Doorway from the Church of San Nicolò, San Gemini
- Title: Doorway from the Church of San Nicolò, San Gemini
- Date: carved 1000s, assembled 1100s or 1200s
- Culture: Central Italian
- Geography: Made in San Gemini, Umbria, Central Italy
- Medium: Marble (Lunense marble from Carrara)
- Dimensions: H. 11 ft. 9 in. x 8 ft. 4 in. (358.4 x 254.2 cm)
- Museum: Metropolitan Museum of Art – MET
Explore the Medieval Art Collection in the Metropolitan Museum of Art – MET
- “The Last Supper” by Ugolino di Nerio
- Plaque with the Journey to Emmaus and Noli Me Tangere
- Doorway from the Church of San Nicolò, San Gemini
San Gemini, Central Italy
San Gemini
UMBRIA – SAN GEMINI Il
MET European Sculpture and Decorative Arts Collection
- “Hercules the Archer” by Antoine Bourdelle
- “Orpheus and Eurydice” by Auguste Rodin
- “Perseus with the Head of Medusa” by Antonio Canova
- “The Little Fourteen-Year-Old Dancer” by Edgar Degas
- “The Burghers of Calais” by Auguste Rodin
- Spinario (Boy Pulling a Thorn from His Foot) by Antico
MET Medieval Art Collection
- “The Last Supper” by Ugolino di Nerio
- Plaque with the Journey to Emmaus and Noli Me Tangere
- Doorway from the Church of San Nicolò, San Gemini
- Lion Aquamanile – North German
- Equestrian Knight Aquamanile – Lower Saxony
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“Do not be anxious about tomorrow,
for tomorrow will be anxious for itself.”
– Jesus Christ
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Photo Credit: 1) Metropolitan Museum of Art [CC BY 2.5 (creativecommons.org/licenses/by/2.5)], via
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