“The Midnight Ride of Paul Revere” by Grant Wood

The Midnight Ride of Paul Revere by Grant Wood The Midnight Ride of Paul Revere by Grant Wood depicts the American patriot Paul Revere during his midn...
Grant Wood
The Midnight Ride of Paul Revere
Grant Wood

"The Midnight Ride of Paul Revere" by Grant Wood

“The Midnight Ride of Paul Revere” by Grant Wood depicts the American patriot Paul Revere during his midnight ride on April 18, 1775. From a bird’s-eye view, the composition shows Revere on horseback racing through a colonial town square in Massachusetts.

The subject was inspired by the poem “Paul Revere’s Ride” by Henry Wadsworth Longfellow. The poem is spoken by the Wayside Inn landlord and tells a partly fictionalized story of Paul Revere.

In the poem, Revere tells a friend to prepare signal lanterns in the Old North Church, Boston, to inform him whether the British will attack by land or sea.

He would await the signal across the river in Charlestown and be ready to spread the alarm throughout Middlesex County, Massachusetts.

The unnamed friend climbs up the steeple and soon sets up two signal lanterns, informing Revere that the British are coming by sea. Revere rides his horse through Medford, Lexington, and Concord to warn the patriots.

Despite the work’s historical subject matter, Wood did not attempt to depict the scene with visual accuracy. The perspective is from a high altitude as Revere rides through a brightly lit Lexington, Massachusetts.

The horse that Revere rides upon was modeled after a child’s rocking horse. The moon lights up the houses as if by electric light. The focus is on the landscape and architecture of colonial Massachusetts.

The dramatic moonlight casts shadows on the stylized houses, and the geometric greenery portrays a dreamlike dimension that echos the imagery in Longfellow’s poem.

Paul Revere’s Ride

“Paul Revere’s Ride” is an 1860 poem by American poet Henry Wadsworth Longfellow that commemorates the actions of American patriot Paul Revere in 1775, although it has several inaccuracies.

It was first published in an 1861 issue of The Atlantic Monthly. 

“So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.”

 –  Paul Revere’s Ride, Henry Wadsworth Longfellow – 1807-1882

For a long time, historians of the American Revolution relied almost entirely on Longfellow’s poem as historical evidence. In re-examining the episode, some historians in the 20th century have attempted to demythologize Paul Revere.

While it is true that Revere was not the only rider that night, that does not refute the fact that Revere completed the first phase of his mission to warn Adams and Hancock.

Other historians have since stressed Revere’s important role in the opening of the Revolution.

Henry Wadsworth Longfellow “Paul Revere’s Ride”

Grant Wood

Grant Wood (1891 – 1942) was an American painter best known for his paintings depicting the rural American Midwest. From 1922 to 1928, Wood made four trips to Europe, where he studied art.

He studied Impressionism and post-Impressionism; however, it was the work of Jan van Eyck that influenced him to take on the clarity of this technique.

From 1922 to 1935, Wood lived in Cedar Rapids, where he helped found the Stone City Art Colony to help artists get through the Great Depression.

He became a great proponent of regionalism in the arts. Wood taught painting at the University of Iowa’s School of Art from 1934 to 1941. The day before his 51st birthday, Wood died of pancreatic cancer.

The Midnight Ride of Paul Revere

  • Title:               The Midnight Ride of Paul Revere
  • Artist:              Grant Wood
  • Year:               1931
  • Medium:        Oil on masonite
  • Dimensions    76 cm × 100 cm (30 in × 40 in)
  • Museum:        Metropolitan Museum of Art, New York City

Grant Wood

  • Name:             Grant DeVolson Wood
  • Born:               1891 – Anamosa, Iowa
  • Died:               1942 (aged 50) – Iowa City, Iowa
  • Nationality:     American
  • Movement:     Regionalism
  • Notable works:
    • American Gothic
    • The Midnight Ride of Paul Revere
    • Daughters of Revolution
    • Self-Portrait

The Midnight Ride of Paul Revere

The Midnight Ride of Paul Revere

MET Modern and Contemporary Art Collection

  • “Reclining Nude” by Amedeo Modigliani
  • “Improvisation 27 (Garden of Love II)” by Wassily Kandinsky
  • “Jeanne Hébuterne” by Amedeo Modigliani
  • “The Card Players” by Paul Cézanne
  • “Bathers” by Paul Cézanne
  • “Mont Sainte-Victoire and the Viaduct of the Arc River Valley” by Paul Cézanne
  • “Trees and Houses Near the Jas de Bouffan” by Paul Cézanne

Grant Wood’s America

  • “La Grenouillère” by Claude Monet
  • “Garden at Sainte-Adresse” by Claude Monet
  • “Wheat Field with Cypresses” by Vincent van Gogh
  • “The Siesta” by Paul Gauguin
  • “The Houses of Parliament (Effect of Fog)” by Claude Monet
  • “Camille Monet on a Garden Bench” by Claude Monet
  • “Madame Cézanne in a Red Dress” by Paul Cézanne
  • “The Pool at the Jas de Bouffan” by Paul Cézanne

Paul Revere and the American Revolution

Grant Wood

The Met Breuer Collection

  • “Opening of the Fifth Seal” by El Greco
  • “Two Girls with Parasols” by John Singer Sargent
  • “Salvator Mundi” by Albrecht Dürer
  • “Madame Cézanne in the Conservatory” by Paul Cézanne
  • “Baptism of Christ” by Jacopo Bassano

~~~

“The British are coming. One if by land, two if by sea.”
– Paul Revere

~~~

Photo Credit: Grant Wood [Public domain], via Wikimedia Commons

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29 March 2020, 23:42 | Views: 4206

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