“Salvator Mundi” by Andrea Previtali shows Christ as Savior of the World, who raises his right hand in blessing and his left holds a crystal orb representing the earth.
Salvator Mundi, which is Latin for Savior of the World, is a subject of many iconography paintings depicting Christ with his right hand raised in blessing and his left hand holding an orb surmounted by a cross, known as a globus cruciger.
The globus cruciger, which is Latin for “cross-bearing orb,” has been a Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a scepter as royal regalia.
The cross represents Christ’s dominion over the world, and this theme was made famous by Northern painters such as Jan van Eyck, Hans Memling, and Albrecht Dürer.
Andrea Previtali
Andrea Previtali was an Italian painter of the Renaissance period, active mainly in Bergamo, a northern Italian city, northeast of Milan. He was a pupil of the painter Giovanni Bellini.
Salvator Mundi
- Title: Salvator Mundi
- Artist: Andrea Previtali
- Year: 1519
- Type: Oil on poplar wood
- Dimensions: Height: 61.6 cm (24.2 in); Width: 53 cm (20.8 in)
- Museum: The National Gallery, London
Andrea Previtali
- Artist: Andrea Previtali (also called Andrea Cordelliaghi)
- Born: 1480
- Died: 1528
- Nationality: Italian
- Movement: Renaissance
- Notable works:
- Salvator Mundi
Salvator Mundi
Tour of the National Gallery13th Century Paintings
- “The Virgin and Child Enthroned, with Narrative Scenes” by Margarito d’Arezzo – 1264
- “The Virgin and Child” by Master of the Clarisse – 1268
- “Crucifix” by Master of Saint Francis – 1270
14th Century Paintings
- Wilton Diptych – 1395
- “The Annunciation” by Duccio – 1311
- “The Healing of the Man Born Blind” by Duccio – 1311
15th Century Paintings
- “Arnolfini Portrait” by Jan van Eyck – 1434
- “The Battle of San Romano” by Paolo Uccello– 1440
- “Venus and Mars” by Sandro Botticelli – 1483
- “Portrait of Doge Leonardo Loredan” by Giovanni Bellini– 1501
16th Century Paintings
- “Mystic Nativity” by Sandro Botticelli – 1550
- “Virgin of the Rocks” by Leonardo da Vinci – 1506
- “The Madonna of the Pinks” by Raphael – 1507
- “The Raising of Lazarus” by Sebastiano del Piombo– 1519
- “Salvator Mundi” by Andrea Previtali – 1519
- “Bacchus and Ariadne” by Titian – 1523
- “The Ambassadors” by Hans Holbein the Younger – 1533
- “Mary Magdalene” by Girolamo Savoldo – 1540
- “Saint George and the Dragon” by Tintoretto – 1558
- “The Family of Darius before Alexander” by Paolo Veronese – 1567
- “Diana and Actaeon” by Titian – 1569
- “The Rape of Europa” by Paolo Veronese – 1570
- “The Death of Actaeon” by Titian – 1575
- “The Origin of the Milky Way” by Tintoretto – 1575
17th Century Paintings
- “Supper at Emmaus” by Caravaggio – 1601
- “Samson and Delilah” by Peter Paul Rubens – 1610
- “The Judgement of Paris” by Peter Paul Rubens – 1635
- “Aurora abducting Cephalus” by Peter Paul Rubens – 1637
- “Equestrian Portrait of Charles I” by Anthony van Dyck – 1638
- “Venus at her Mirror” by Diego Velázquez – 1651
- “Self Portrait at the Age of 63” by Rembrandt – 1669
- “A Young Woman standing at a Virginal” by Johannes Vermeer – 1670
Salvator Mundi
The Discovery & Restoration of “Salvator Mundi”
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“If a man devotes himself to art,
much evil is avoided that happens otherwise if one is idle.”
– Albrecht Dürer
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Photo Credit: 1) Andrea Previtali [Public domain], via Wikimedia Commons
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