“Oath of the Horatii” by Jacques-Louis David

Oath of the Horatii by Jacques-Louis David Oath of the Horatii by Jacques-Louis David depicts a scene from a Roman legend about a seventh-century BC d...
The Horatii and Curiatii
Jacques-Louis David
Oath of the Horatii
Jacques-Louis David – The Oath of the Horatii (1784)
Jacques-Louis David
JACQUES LOUIS DAVID OATH OF THE HORATII
A Tour of the Louvres Paintings
The Oath of the Horatii David
David, Oath of the Horatii
Louvre Museum – David The Oath Of The Horatii

"Oath of the Horatii" by Jacques-Louis David

“Oath of the Horatii” by Jacques-Louis David depicts a scene from a Roman legend about a seventh-century BC dispute between two warring cities, Rome and Alba Longa.

It is one of the best-known history paintings in the Neoclassical style. Its theme stresses the importance of patriotism and self-sacrifice for one’s country and family.

The painting depicts the Roman Horatius family, from which three brothers had been chosen for a ritual duel. The duel was against three brothers of the Curiatii, a family from Alba Longa, to settle the disputes between the two cities.

The three brothers, all of whom agreed to sacrifice their lives for the good of Rome, are shown saluting their father, who holds their swords out for them.

In the bottom right corner are the women of the family who are also sacrificing for the state. One of the women Camilla, a sister to the Horatii brothers, is betrothed to one of the Curiatii fighters.

Another woman is a sister of the Curiatii, married to one of the Horatii. They weep in the understanding that, whichever side wins, they will lose someone they love.

As the revolution in France loomed, paintings urging loyalty to the state were popular, and “The Oath of the Horatii” became one of the defining images of the time.

The Horatii and Curiatii

At a joint conference between the two disputing cities, it was proposed that the dispute be resolved by some means other than mass bloodshed.

Both towns were concerned that the nearby Etruscans would fall upon the two Latin states if they were weakened by mutual war and unable to defend themselves.

It was agreed that a set of triplets from each side, three brothers Horatii and three Curiatii, would do battle for victory. The duel would thus determine which city would be the dominant member, without mass-slaughter.

The leaders of each city made vows that the outcome of the fight would bind both states. When the combat commenced, two of the Roman brothers were the first to fall.

The one surviving Roman brother then allowed the three Curiatii fighters to chase him. This strategy caused them to separate from each other, and then, he, in turn, killed each of the Curiatii brothers.

Thus the last Horatius brother won victory for Rome, and the Albans became a vassal state of Rome.

Not long afterward, war brock out between Rome and two other Etruscan cities. The Albans were ordered to march to battle with the Romans.

However, when the action commenced, the Alba Longa commander led his troops away from the battle, leaving the Romans to fight the Etruscans alone.

Nevertheless, Rome was victorious against the Etruscans. After their victory against the Etruscans, the Roman soldiers were ordered to demolish the 400-year-old city of Alba Longa.

They only left the temples standing, and the entire population of Alba Longa was transported to Rome, thereby doubling the number of Roman citizens.

This painting became an immediate success with critics and the public, which increased David’s fame, allowing him to take on his students.

Jacques-Louis David

Jacques-Louis David (1748 – 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era.

In the 1780s, his history painting marked a change in taste away from Rococo frivolity toward a classical austerity and feeling, harmonizing with the moral climate of the final years of the Royal Régime.

David became an active supporter of the French Revolution and friend of Maximilien Robespierre and was effectively a dictator of the arts under the French Republic.

Imprisoned after Robespierre’s fall from power, he aligned himself with yet another political regime upon his release, that of Napoleon. At this time, David developed his Empire style.

After Napoleon’s fall from Imperial power and the Bourbon revival, David exiled himself to Brussels, then in the United Kingdom of the Netherlands, where he remained until his death.

David had a large number of pupils, making him the most substantial influence in French art of the early 19th century, primarily academic Salon painting.

Oath of the Horatii

  • Title:                      Oath of the Horatii
  • French:                  Le Serment des Horaces
  • Artist:                    Jacques-Louis David
  • Year:                      1784
  • Medium:                Oil on canvas
  • Dimensions:          130×196 cm
  • Type:                      History Painting
  • Museum:               Louvre, Paris

Jacques-Louis David – The Oath of the Horatii (1784)

Jacques-Louis David

  • Name:           Jacques-Louis David
  • Birth:             1748 – Paris, Kingdom of France
  • Died:             1825 (aged 77) – Brussels, United Netherlands
  • Nationality:   French
  • Notable Works:
    • The Death of Socrates
    • The Emperor Napoleon in His Study at the Tuileries
    • The Death of Marat
    • Oath of the Horatii
    • The Coronation of Napoleon
    • Leonidas at Thermopylae

JACQUES LOUIS DAVID – OATH OF THE HORATII

A Tour of the Louvre’s Paintings

  • The Mona Lisa” by Leonardo da Vinci 
  • “Ruggiero Freeing Angelica” by Jean-Auguste-Dominique Ingres
  • “The Valpinçon Bather” by Jean-Auguste-Dominique Ingres
  • “The Turkish Bath” by Jean-Auguste-Dominique Ingres
  • “Grande Odalisque” by Jean-Auguste-Dominique Ingres
  • “Perseus and Andromeda” by Joachim Wtewael
  • Self-portrait with Her Daughter, Julie by Louise Élisabeth Vigée Le Brun
  • “The Virgin and Child with St. Anne” by Leonardo da Vinci
  • “Louis XIV of France” by Hyacinthe Rigaud
  • “The Massacre at Chios” by Eugène Delacroix
  • “The Battle of San Romano” by Paolo Uccello
  • “Virgin of the Rocks” by Leonardo da Vinci
  • “The Death of Sardanapalus” by Eugène Delacroix
  • “Psyche Revived by Cupid’s Kiss” by Antonio Canova
  • “Liberty Leading the People” by Eugène Delacroix
  • “The Arcadian Shepherds” by Nicolas Poussin
  • “The Lacemaker” by Johannes Vermeer
  • “The Money Changer and His Wife” by Quentin Matsys
  • “The Fortune Teller” by Caravaggio
  • “Portrait of Baldassare Castiglione” by Raphael
  • “Charles I at the Hunt” by Anthony van Dyck
  • “An Old Man and his Grandson” by Domenico Ghirlandaio
  • “Vulcan Presenting Venus with Arms for Aeneas” by François Boucher
  • “La belle ferronnière” by Leonardo da Vinci
  • Self-Portrait by Élisabeth Sophie Chéron
  • The Four Seasons by Nicolas Poussin
  • “The Death of Marat” by Gioacchino Giuseppe Serangeli after Jacques-Louis David
  • “Oath of the Horatii” by Jacques-Louis David
  • “The Coronation of Napoleon” by Jacques-Louis David

The Oath of the Horatii – David

David, Oath of the Horatii

Louvre Museum – David The Oath Of The Horatii

~~~

“The artist must be a philosopher.”
– Jacques-Louis David

~~~

Photo Credit: 1) Jacques-Louis David [Public domain]

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13 September 2019, 12:38 | Views: 7447

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