“Mary Magdalene” by Girolamo Savoldo is identified in this painting by the pot of ointment in the lower left of the painting, with which Mary Magdalene anointed Christ’s body.
She is also distinguished by the slight glimpse of a red dress beneath a silver-grey cloak. The landscape in the background appears to mirror the artist’s views of Venice and its lagoon.
Mary Magdalene was a Jewish woman who, according to the gospels, traveled with Jesus as one of his followers and was a witness to his crucifixion, burial, and resurrection.
All four gospels identify her as the first witness to the empty tomb and the first to testify to Jesus’s resurrection.
During the Middle Ages, Mary Magdalene was conflated in western tradition with Mary of Bethany and the woman who anoints Jesus’s feet.
This resulted in an inaccurate belief that she was a repentant prostitute or promiscuous woman.
During the Counter-Reformation, the Catholic Church used Mary Magdalene as a symbol of penance.
Speculations that Mary Magdalene was Jesus’s wife or that she had a love relationship with him are regarded by most as dubious.
Girolamo Savoldo
Girolamo Savoldo was an Italian High Renaissance painter active mostly in Venice. He is noted for his subtle use of color and the use of sharp contrasts between light and dark.
His works were primarily religious subjects, and only about 40 paintings and a handful of drawings are known.
Mary Magdalene
- Title: Mary Magdalene
- Artist: Girolamo Savoldo
- Date: 1535 until 1540
- Materials: oil on canvas
- Dimensions: Height: 89.1 cm (35 in); Width: 82.4 cm (32.4 in)
- Museum: The National Gallery, London
Girolamo Savoldo
- Artist: Girolamo Savoldo, also Girolamo da Brescia
- Born: 1480-1485 – Brescia, Lombardy, Italy
- Died: 1548 – Venice
- Nationality: Italian
- Movement: Italian High Renaissance
- Notable Works:
- Mary Magdalene
“Mary Magdalene” by Girolamo Savoldo
15th Century Paintings – The National Gallery
- “Arnolfini Portrait” by Jan van Eyck – 1434
- “The Battle of San Romano” by Paolo Uccello– 1440
- “Venus and Mars” by Sandro Botticelli – 1483
- “Portrait of Doge Leonardo Loredan” by Giovanni Bellini– 1501
Mary Magdalene by Girolamo Savoldo
16th Century Paintings – The National Gallery
- “Mystic Nativity” by Sandro Botticelli – 1550
- “Virgin of the Rocks” by Leonardo da Vinci – 1506
- “The Madonna of the Pinks” by Raphael – 1507
- “The Raising of Lazarus” by Sebastiano del Piombo– 1519
- “Salvator Mundi” by Andrea Previtali – 1519
- “Bacchus and Ariadne” by Titian – 1523
- “The Ambassadors” by Hans Holbein the Younger – 1533
- “Mary Magdalene” by Girolamo Savoldo – 1540
- “Saint George and the Dragon” by Tintoretto – 1558
- “The Family of Darius before Alexander” by Paolo Veronese – 1567
- “Diana and Actaeon” by Titian – 1569
- “The Rape of Europa” by Paolo Veronese – 1570
- “The Death of Actaeon” by Titian – 1575
- “The Origin of the Milky Way” by Tintoretto – 1575
Girolamo Savoldo Paintings
17th Century Paintings – The National Gallery
- “Supper at Emmaus” by Caravaggio – 1601
- “Samson and Delilah” by Peter Paul Rubens – 1610
- “Christ in the House of Martha and Mary” by Diego Velázquez – 1618
- “The Judgement of Paris” by Peter Paul Rubens – 1635
- “Aurora abducting Cephalus” by Peter Paul Rubens – 1637
- “Equestrian Portrait of Charles I” by Anthony van Dyck – 1638
- “Venus at her Mirror” by Diego Velázquez – 1651
- “The Courtyard of a House in Delft” by Pieter de Hooch – 1658
- “Self Portrait at the Age of 63” by Rembrandt – 1669
- “A Young Woman standing at a Virginal” by Johannes Vermeer – 1670
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“The saint who works no miracles isn’t glorified.”
– Greek Proverb
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Photo Credit: 1) Girolamo Savoldo [Public domain], via Wikimedia Commons
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