4 Paintings of Napoleon in Egypt

“Bonaparte Before the Sphinx” by Jean-Léon Gérôme

A Tour via Paintings of Napoleon in Egypt:

“Bonaparte Before the Sphinx” by Jean-Léon Gérôme – Hearst Castle
“Bonaparte in Cairo” by Jean-Léon Gérôme – Hearst Castle
“Napoleon in Egypt” by Jean-Léon Gérôme – Princeton University Art Museum
“Napoleon during his campaign in Egypt” by Jean-Léon Gérôme – Hermitage Museum

“Bonaparte Before the Sphinx” by Jean-Léon Gérôme

“Bonaparte Before the Sphinx” by Jean-Léon Gérôme depicts Napoleon Bonaparte during his Egyptian campaign, positioned on horseback in front of the Great Sphinx of Giza, with his army in the background.

The painting popularized Napoleon in front of the Sphinx as a subject in art and caricature.

When the painting was first presented at the Salon of 1886, it had the title Oedipus (Œdipe), evoking the myth of Oedipus and the Sphinx. Gérôme was referencing both the ancient myth and its depiction by previous artists.

The French campaign in Egypt and Syria (1798–1801) was Napoleon Bonaparte’s campaign in the Ottoman territories of Egypt and Syria.

Napoleon’s strategy was to defend French trade interests and to seek alliances to weaken Britain’s access to India. He also sought glory by walking in the footsteps of Alexander the Great.

“Bonaparte Before the Sphinx” by Jean-Léon Gérôme

Title: Bonaparte Before the Sphinx
French: Bonaparte devant le Sphinx
Artist: Jean-Léon Gérôme
Date: 1886
Media: oil on canvas
Dimensions: 61.6 cm × 101.9 cm (24.3 in × 40.1 in)
Genre: History painting
Museum: Hearst Castle

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“Napoleon in Egypt” by Jean-Léon Gérôme

“Napoleon in Egypt” by Jean-Léon Gérôme depicts General Napoleon Bonaparte before the Mamluk Tombs outside Cairo. The road in the background is lined with Mamluk mausoleums from the fourteenth and fifteenth centuries

Mamluk is an Arabic designation for slaves. The term referred to Non-Muslim slave soldiers and Muslim rulers of slave origin. Born slaves, these rulers owed their rise to military prowess and would have been a subject for reflection by Napoleon.

During the Second Empire (1852–70), Napoleon III encouraged the cult of his uncle, Napoleon Bonaparte. Napoleon’s 1798 Egyptian expedition had produced significant historical and scientific interest in all things Egyptian.

An unusual aspect of the Egyptian expedition was the inclusion of an enormous contingent of scientists and scholars of about 160, who were assigned to the invading French force.

The inclusion of intellectual resources was seen as an indication of Napoleon’s devotion to the principles of the Enlightenment. Yet others saw this act as propaganda to obfuscate Bonaparte’s true motives of increasing his power and prestige.

On the scientific front, the expedition eventually led to the discovery of the Rosetta Stone, creating the field of Egyptology.

“Napoleon in Egypt” by Jean-Léon Gérôme

Title: Napoleon in Egypt
Artist: Jean-Léon Gérôme
Date: 1863
Media: oil on panel
Dimensions: Height: 35.8 cm (14 in); Width: 25 cm (9.8 in)
Genre: History painting
Museum: Princeton University Art Museum

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“Napoleon during his campaign in Egypt” by Jean-Léon Gérôme

“Napoleon, during his campaign in Egypt” by Jean-Léon Gérôme depicts Napoleon Bonaparte as a general of the French Revolution on a camel during his Egyptian expedition.

Napoleon arrived in Egypt with his generals in 1798 and attempted to add this territory to France’s growing empire. The British defeated the French navy at the “Battle of the Nile,” one of the greatest naval disasters of all time.

The loss of the French Navy put an end to Napoleon’s dreams of expansion to Africa. The campaign ended in defeat for Napoleon, and the withdrawal of French troops from the region.

Despite early victories and an initially successful expedition into Syria, Napoleon and his Armée d’Orient was eventually defeated and forced to withdraw.

“Napoleon during his campaign in Egypt” by Jean-Léon Gérôme

Title: Napoleon during his campaign in Egypt
Français: Napoléon pendant sa Campagne en Égypte
Artist: Jean-Léon Gérôme
Date: 1863
Media: oil on panel
Dimensions: Height: 35.8 cm (14 in); Width: 25 cm (9.8 in)
Genre: History painting
Museum: Hermitage Museum

Jean-Léon Gérôme

Jean-Léon Gérôme (1824 – 1904) was a French painter and sculptor whose oeuvre included historical paintings, Greek mythology, Orientalism, and portraits in the academic painting tradition.

Jean-Léon Gérôme started his artistic career in Paris about 1840, where he studied under Paul Delaroche, a painter of historical scenes, whom he accompanied to Italy.

He visited Florence, Rome, the Vatican, and Pompeii. He then attended the École des Beaux-Arts back in Paris.

In 1856, he visited Egypt for the first time. Gérôme followed the classic grand tour of most occidental visitors to the Orient.

He went up the Nile to Cairo, across to Fayoum, then further up the Nile to Abu Simbel, then back to Cairo, across the Sinai Peninsula through Sinai and up the Wadi el-Araba to the Holy Land, Jerusalem and finally Damascus.

This experience would herald the start of many orientalist paintings depicting Arab religion, genre scenes, and North African landscapes.

Jean-Léon Gérôme

Artist: Jean-Léon Gérôme
Born: 1824 – Vesoul, Haute-Saône, France
Died: 1904 (aged 79) – Paris, France
Nationality: French
Movement: Academicism, Orientalism
Notable works:
- Pygmalion and Galatea
- The Cock Fight
- The Duel After the Masquerade
- Phryne before the Areopagus
- Pollice Verso
- L’Eminence Grise
- Bonaparte Before the Sphinx
- Bonaparte in Cairo
- Napoleon in Egypt
- Napoleon during his campaign in Egypt

A Virtual Tour of History Paintings

“Washington Crossing the Delaware” by Emanuel Leutze
“The Family of Darius before Alexander” by Paolo Veronese
“Las Meninas” or “The Ladies-in-Waiting” by Diego Velázquez
“The Third of May 1808″ by Francisco Goya
The Second of May 1808 – The Charge of the Mamelukes by Francisco de Goya
“The Fighting Temeraire” by Joseph Mallord William Turner
“Westward the Course of Empire Takes Its Way” by Emanuel Leutze
“The Capture of the Hessians at Trenton, December 26, 1776″ by John Trumbull
“The March to Valley Forge” by William B. T. Trego
“The Massacre at Chios” by Eugène Delacroix
“The Execution of Lady Jane Grey” by Paul Delaroche
“Cromwell in Battle of Naseby” by Charles Landseer
“The Surrender of Breda” by Diego Velázquez
“Hannibal and his Army Crossing the Alps” by J. M. W. Turner
“The Death of Marat” by Gioacchino Giuseppe Serangeli after Jacques-Louis David
“Oath of the Horatii” by Jacques-Louis David
“The Coronation of Napoleon” by Jacques-Louis David
“The Burning of the Houses of Lords and Commons by J. M. W. Turner
“The Burning of the Houses of Parliament” by J. M. W. Turner
“The Triumph of Cleopatra” by William Etty
“Dempsey and Firpo” by George Bellows
Floreat Etona! by Elizabeth Thompson
Scotland Forever! by Elizabeth Thompson
“The Last Day of Pompeii” by Karl Bryullov
Leonidas at Thermopylae by Jacques-Louis David
The Election Series by George Caleb Bingham
“The Defeat of the Floating Batteries at Gibraltar” by John Singleton Copley
“Watson and the Shark” by John Singleton Copley
“The Death of Major Peirson, 6 January 1781″ by John Singleton Copley
“Frederick the Great Playing the Flute at Sanssouci” by Adolph Menzel
“The Anatomy Lesson of Dr. Nicolaes Tulp” by Rembrandt
“Entry of Alexander into Babylon” by Charles Le Brun
“Pollice Verso” by Jean-Léon Gérôme
“The Battle of Anghiari” by Peter Paul Rubens – Copy of Leonardo da Vinci’s Lost Painting
The Death of General Warren at the Battle of Bunker’s Hill, June 17, 1775
Declaration of Independence