Dir. Alain Resnais
Famously in my family, my parents went to see this Alain Resnais classic when it first came out in 1959. One of them loved it, one of them hated it, and they debated its merits in the days afterward – and for years after that (when the title ever came up in conversation, my sister and I knew what was coming). Delicately directed by Resnais, working from an intricate screenplay by novelist Margaurite Duras, the film is ostensibly about a French actress (Emmanuelle Riva), in Hiroshima to make a decidedly anti-war film, who has an affair with a Japanese architect (Eiji Okada), as they debate their philosophy on war. What it’s really concerning though is what we talk about when we talk about war, an observation on the ways in which we communicate with each other, as humans, combatants, and doomed lovers (a Duras specialty).
Similarly hypnotic and trance inducing as Resnais later masterpiece, Last Year at Marienbad, the film is little more than an extended, slightly existential conversation between two soulful people (perhaps an inspiration to Richard Linklater for his excellent Before series), that is always fascinating and engaging. It might not have the same shock-value it did when it was first released, but it remains every bit as vital. As it happens, I can never seem to remember which of my parents liked it and which one hated it, but, given the film’s circumstances, that feels strangely appropriate.
This handsome Criterion BD release also is laden with extras, including a commentary by film historian Peter Cowie, interviews with Resnais and Riva, and a mini-doc on the film’s arduous restoration.