Dir. Gus Van Sant
As it was the film that truly cemented the late River Phoenix’ sterling legacy as a formidable actor of his generation, it’s understandable that Gus Van Sant’s serio-comic, surrealist story of a pair of homeless cats trying to hardscrabble their way in the world, would be best remembered for his performance, which is startling in its naked immediacy, but there’s a lot more here to treasure than just Phoenix’ considerable talent. Van Sant, who built an oeuvre of curious indie outliers – Drugstore Cowboy gave way to Idaho, which lead to To Die For) before turning towards more mainstream material, had a kind of kitchen-sink approach to his storytelling (hence a propensity for fanciful comic flights here, such as a discussion by the male models as they appear on magazine covers, and a Shakespearean bent to his plot), which, when it worked in harmony with his material, lead to wonderfully droll observations.
As the soulful, doomed Mike, Phoenix is certainly the star of the film, but don’t totally underestimate Keanu Reeves’ Scott, a trust-fund kid who’s enjoying the lowlife a bit before embracing his financially superior destiny. Van Sant, who often worked with homeless youth in his spare time, has a way with the world they inhabit and genuine warmth and sympathy for what they must endure on a day-to-day basis. In this, Phoenix, who fully inhabited the role much as his brother Joaquin has done throughout his career, was the perfect muse with whom Van Sant could focus his considerable creative energies.
This beautiful Criterion BD release also includes interviews, a making of doc (from 2005), deleted scenes, and an illustrated conversation between Van Sant and Todd Haynes, among other goodies.