Category Archives: Music


PHOTO RECAP: Galactic and The Revivalists Bring the Energy to Philly

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On Thursday 3-26,  two great bands, both from New Orleans hit the stage of the Electric Factory — Galactic and The Revivalists.


Galactic is revving up for a busy 2015 on the festival and concert circuit, doing their best to spread the energy à la CARNIVALE ELECTRICOS — “their music that evokes the electric atmosphere of a whole city – make that, whole cities – vibrating together all on the same day, from New Orleans all down the hemisphere to the mighty megacarnivals of Brazil.”


David Shaw, lead vocalist and guitarist of The Revivalists set off the show with a spectacular spiritual offering, and the rest of the band continued to bring their music to life. The story goes The Revivalists began when guitarist Zack Feinberg ran into David jamming on his home porch in 2007. Eight years later, seven members in, and three albums released they have definitely set their name for themselves in their hometown, now on tour and bringing their music to new venues and fans. Their profound sounds definitely brings out the energy of the crowd with chants, and ‘hands up in the air’ engagement. Their showmanship is definitely what music needs more of.


A few moments after a break, the headlining Galactics dropped in with his jazzy funk saxophone tunes, with each taking their time in the spotlight to play to the crowd. Galactic create an exciting atmosphere toting  their version of NOLA jazz-funk. This was definitely a night to remember for many energetic and excited fans still buzzing as they filed out.

Find out more, listen, download, and share these bands:

Galactic: Twitter | MusicBio

The Revivalists: Facebook | Music | Bio

Story and photos – Daniel Wooden


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The Revivalists:

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215 Exclusive Interview: Circa Waves

Liverpool quartet Circa Waves recently released their U.S. EP titled T-Shirt Weather via Virgin Records. Produced by Dan Grech and recorded at the historic RAK studios in London, the 5 track EP features their newly debuted single T Shirt Weather.” The title-track is the latest in a startling run of singles which has seen them make the Radio 1 daytime playlist with tracks “Fossils” and “Young Chasers.”

They are set to release their debut album “Young Chasers” March 30th.


The last 12 months have been building to this U.S. EP release. They were one of the runaway successes at CMJ with the New York Times comparing their performance to the “relentless rhythm-guitar drive of the Strokes.” In addition, they were given the 2015 Best New Band Award by NME on top of the coveted opening slot on the NME Awards tour. Circa Waves also performed in front of packed tents at several festivals including Glastonbury and Reading / Leeds plus played alongside The 1975, Interpol, and Royal Blood.

Circa Waves are: Kieran Shudall (guitar / vocals), Joe Falconer (guitar), Sam Rourke (bass) & Colin Jones (drums).

Guest contributor Ryan Quint talked with Kieran about their upcoming tour, their recent recognition, and what it means to make and play ‘live’ music…

Ryan Quint [RQ]: I want to start off by talking about your upcoming tour. You guys are heading out on a huge Tour in April all throughout the UK and Europe…. and have been touring pretty consistently — doing both festivals and your own headlining shows — which do you prefer?

Kieran: I say headline shows. You’re playing to the audience that is solely there for you. You can enjoy all of the people singing every word back to you. I do think festivals have their own merits too but we enjoy having own our headlines all over the world the most.

RQ: What songs from the new album are most looking forward to performing on this tour?

Kieran: All songs really. I really enjoy playing “Stuck in my Teeth.” Its a song that people seem to really connect with and go a bit crazy to. Obviously the singles are the ones people know the most so they’re always fun to play. Sometimes I don’t even have to sing much, I just let the room takeover which is pretty cool.

RQ: You previously toured with the 1975, did you guys have a previous relationship with them?

Kieran: No, we just got asked to do it. We got to play in huge rooms in Australia and the UK that we wouldn’t have been able to do on our own this far into our careers so we felt that it was a good opportunity for us to be playing in front of 5,000-10,000 people at a time. That sort of experience is great. Once you play in those size rooms, going back to our size rooms (1,000 people) is easier because we know how to work the room a bit more

RQ: What is current your relationship with them?

Kieran: We still speak to them a bit. When we’re down in London, we sometimes go out with them, but they tour loads and we tour loads so its not as easy as we’d like
to go and party with them.

RQ: Apple’s iTunes Store “New Artists of 2015” and Zane Lowe played “Stuck in my Teeth” as his “Hottest Record” in February 2014. Would you consider these accomplishments? And if so, how much do things like this mean to you in the grand scheme of things?

Kieran: Not too much to be honest. I mean its nice to be told these things but I think the real accomplishments come from selling tickets and making the performances as memorable as we can. People high up like Zane Lowe, its very nice that he says these things but he’s not the one who comes to the shows or who necessarily buys the records. Its the people who come to the shows and who buys the records that I want to please. They’re the ones who are going to keep us making music for as long we possibly can.

RQ: I agree, I think a lot of times, artists get caught up with their co-signs and fail to produce where it really matters.

Kieran: Yea you realize that these things from Apple or Zane Lowe only matter for so long and they forget about you. Its the people who truly like the music that will stick around with you.

RQ: Resurgence of UK Pop/Rock artists – Sam Smith, George Ezra, Ed Sheeran, The 1975, Bastille, Royal Blood, among MANY other. Why do you think UK artists have been having so much success recently in the states?

Kieran: I think everything is cyclical and everything comes in waves and at the moment theres a huge wave of that guitar music thats happening in England. Also, if the talent is there then people will recognize it. So I suppose we’ve come out at a good time and it seems that its all heading that way really. I think people may be desperate for guitar music. I suppose there’s a lot of Pop and Hip-Hop music in America so people were even listening to boy bands who play guitar just because they were desperate to hear guitar music. So it all seems that bands like Royal Blood, Catfish and the Bottlemen and all these other UK bands are getting popular because people in America are ready to hear that sound again.

RQ: I know you’re performing several times at SXSW this year. Recently SXSW has been criticized for being very corporate, as an artist do you still look forward to being apart of the festival and what do want to get out of it?

Kieran: We’re just going for the all the free shit.. nah I’m just kidding. But it is very corporate and it feels that way with all of the sponsors. Anyone would frown upon any band who sort of sells out in anyway so to go to SXSW for us is a bit unusual. We don’t necessarily agree with all that sort of stuff but I suppose with these festivals its necessary for them to be as big as possible with all of the sponsors. We do try and avoid big corporate things as much as possible but were willing to take some free shit off them.

RQ: Right, it is still a big outlet and I’m sure a lot of people will be discovering your music there.

Kieran: I hope so!

RQ: Liverpool/recorded at RAK Studios (David Bowie, Michael Jackson, Pink Floyd, Paul McCartney, Radiohead, Roger Daltry, Mary J. Blige, Adele, Arctic Monkeys). Does this inspire you knowing that multiple legends recorded there or do you view it as another studio and as a platform to record your music?

Kieran: It’s definitely cool but I don’t sit there and say “Oh, this is a the microphone that Thom Yorke used on the band’s record.” Stuff like that is cool but I honestly think that to make a great record you don’t necessarily have to do it in a big, expensive studio. Personally, we loved how the drums sounded in that room but in my opinion some of the best stuff I ever recorded was in my own bedroom. It’s really just opinion and taste and if the song is good enough, it can be recorded anywhere.

RQ: You mentioned there will be a “Live” aspect to album, how did you accomplish this sound specifically with this studio?

Kieran: We cranked the amps up as loud as they go and then we put them in their own little box with a microphone and we all played in the room together so it was very similar to a live experience in that we would bounce off each other. We wanted a natural sound, we didn’t layer any guitars really, most of it is really just me and Joe (Falconer – Guitarist) playing. I think for a baby (debut) record it’s a really cool thing

RQ: Definitely. Do you think this recording technique will help with your live performances?

Kieran: Yea for sure. If you record a record with a million little things done, the live show will be completely different and people may be slightly confused. I think it helps us knowing exactly what we’re going to be doing live and we can fuck around with it all.

RQ: Moving forward with the album, what can fans expect from the album and how does it compare sonically to the Young Chasers EP?

Kieran: The demos that were on the first EP we recorded ourselves so it’s definitely more scrappy. The album is also definitely more thought out but also we wanted to make sure the drums sounds were small and dry. There were a lot of records we referenced when recording the drum sounds on the album like Arcade Fire’s first record and The National’s early records. And our songs are quite big so we wanted to go the opposite way with the production of them in order to balance everything out. There was definitely a lot of thought that went into how everything sounds on the album

RQ: Last song on the album “Talking Out Loud” is your favorite. What is it about this song stands out?

Kieran: Well for one, its a really slow song so we always get a rest when we play it live. I think Joe liked that song the most, it has a lot of inspirations from Pavements and Brendan Benson with the chilled out sound. It’s a really cool sound that we haven’t really tried before and it came out really well and I think people will really attach themselves to that one when the record comes out.

RQ: Who’s idea was it to follow you guys around in Berlin for the “Fossils” music video and how did the video come about?

Kieran: It was something we had talked about for a long time, just including tour footage and stuff like that in our video. We really wanted to get across who we all really are. And we felt like none of our videos had really done that yet so we thought it’d be cool to get a guy to come and film us in Berlin and he came out with an awesome camera and just filmed everything from the few days we were in Berlin. I love it.

RQ: I know you said in a previous interview that you guys began the day of the video shoot with champagne and cigars; is this a common start of the day for you guys?

Kieran: Yea I start every day at home with champagne and cigars, I cant carry on without them. I’m just kidding. We went a bit extravagant on that day. None of us can afford champagne so we just found some money for that. But it’s definitely one way to start a day, I wouldn’t suggest it every day though.

RQ: Drinking has been the conversation in almost all of your interviews. Who is the heaviest drinker in the group and what alcohol do you have on your rider?

Kieran: We all have various nights where one of us will be up drunk at 7 in the morning but then they won’t be on the next night. We all hit it pretty hard. As for the rider, we usually have some beer then switch between rum and ginger, gin and tonic or bourbon and soda. We have a rotating spirits rider. Oh, and hummus.

RQ: It’s good to see that you take full advantage of the free liquor on your rider.

Kieran: Yea exactly, so 2 days of the week we’ll have gin, 2 days of the week rum, 2 days we’ll be bourbon so we don’t get bored ever and we are always alcoholically surprised.

RQ: I think that’s a pretty good problem you have with not knowing what alcohol to pick for each day.

Kieran: Exactly. And it keeps us drinking everyday which is a benefit.

RQ: Lastly, what are your plans for after the UK tour and will there be an American tour following?

Kieran: Yea, there’s talks of us going to America, it’s all up in the air at the moment though. If it was up to us, we’d be going for a long time so hopefully sometime in the middle or end of this year. We’ve only been (to America) once and didn’t get to explore much so we’d love to go back to LA or New York and also all the other places we missed last time.

RQ: Thank you very much, good luck with the upcoming album release and tour and safe travels to SXSW.


Pre-order their album, which comes out on March 30th HERE:

See upcoming tour dates and more info at:


Tonight and Tomorrow: Dice Raw of The Roots presents The Last Jimmy

“The Last Jimmy” is a poignant and relevant stage play that explores mass incarceration and outlines the ills of the criminal justice system and prison industrial complex.

Told though a hip-hop musical odyssey featuring song, live music and dance, this production takes us down the plight of the court and prison system though the experience of young black males.

“The Last Jimmy” is inspired by Dr. Michelle Alexander’s book, The New Jim Crow.

The performance features original music and lyrics by Dice Raw along with original choreography by Renee Harris; is directed by noted Philadelphia- based director, Ozzie Jones and written by Phillip S. Brown.

Buy Tickets Here

SHOW DATES @ The Prince Music Theater ( 1412 Chestnut St. )
Fri 3/20
Sat 3/21

Buy Tickets Here



Fri 13th: CMTA and The Wrkn Clss Present Lil Feece (Sashi)

On March 13th Creative Minds Think Alike, in conjunction with The Wrkn Clss, a full service production group, will be presenting hip-hop artist Lil Feece, (Sashi), to the Philadelphia region with the release of his upcoming EP, “SASHI SZN”. The celebration will be held at Cohesive Collection, 1215 Vine St from 10pm to 2am.

We will be presenting the event as a celebration rather than a release party in order to familiarize the guest with Sashi.  We will have a visual arts element that will be present at the event; the visual art element has a long-term strategy that will not be implemented until the event has passed.

DJ’s Ryan Mahoney and DJ F1lthy will curate the sounds of the evening. DJ Ryan Mahoney is native to Atlantic City and an emerging DJ on both colleges in Philadelphia as well as the alternative scene that is developing here in Philadelphia. DJ Ryan Mahoney built his experience by spinning in a number of clubs in the tri-state area and having the number one online campus radio-station on iHeart radio, Philly Rap Fix. DJ F1lthy has been making a lot of noise in the tri-state area as well, with his expertise being in music production as well as on the turntables. DJ F1lthy is a force to be recognized that shows no signs of letting up.

Hosting the event will be the captivating Franceleslia, recognized for the way she electrifies her crowd, her presence and technique is in demand across the nation. Franceleslia has created a massive hosting movement in which she graced over 20 stages in less than a year. Her repertoire includes AFROPUNK, Camron’s SUPERBOWL Party at WIP, Danny Brown’s Album Release Party and Trillectro festival just to name a few.

Being as though Creative Minds Think Alike is an emerging brand, we feel that it is our duty to present the opportunity for underground artist to display their craftsmanship.  We have partnered with Lil Feece in the past with the most recent project being Gravy Trap. On behalf of Creative Minds Think Alike, we formally invite you to partake in the celebration as well as grow and build with an array of guest and hosts that are becoming familiar and essential to the metropolitan area, Philadelphia. Feature


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Middle Grounded: Hozier Concert Recap

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The age old question many newly-christened artists often face lingered with me as I walked out onto North 7th St. Saturday night… What’s next down the road for Hozier — this vehicle, driven by a major hit?

The asking is even more in the forefront of the conversation with Hozier — given a 2014 Song of the Year Grammy Nomination and rapid rise to international stardom, mixed with the style of music the young Irishman has shown he can write and record.

And to be fair I see it is a tip of the cap to the warranted attention he’s been receiving.

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His young band brims with the confidence boosted by being part of the majorly successful industry sensation Hozier quickly became. They’ve been busy on tour, with many more US and international stops scheduled through August, getting up before dawn for early AM T.V. show appearances, then taking main stages by night. And after a couple silly mix-ups on stage, “This next song is called … wait, that was the song we just played… forgive me i’ve slept about 6 hours in the last 3 days…” Hozier seemed just enough uncomfortable and thus sincere.

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The quality of the musical performance, however, did not waiver.

He plays his cover of Skip James’ “Illinois Blues” while professing how he was raised with and has always been enamored with that style of music. He’s already shown that his songs can be both socially provocative, while catchy. That’s what will keep him grounded, having a strong tangible base to build from.

The talent is there: Hozier has a rawness and understatedness, plus an on and off stage personality to go “that” way… while he also has the polished pop culture appeal and voice to lure him into that genre.

So what’s next? No one knows. My guess is Hozier will continue to prosper somewhere in between. One thing’s for sure: fans and critics alike will be watching.

Photos and story – Aran Hart

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Kate Faust – Live at Pipeline Philly


Little Giant presents an intimate performance by singer/songwriter Kate Faust.

Please join us for a night of soulful, soaring vocals from the critically acclaimed, indy artist.

Check out Kate’s music and more at

Kate will debut selections from her long-awaited EP, Eros, a candid glimpse, through an erotic lens, into the chanteuse’s unflinching gaze within her deepest self.



Photo Recap: Infected Mushroom Animatronica Tour

Thursday 2/26 Israel-bred, L.A. based duo Amit “Duvdev” Duvdevani and Erez Eisen, world renowned as Infected Mushroom, rocked the Electric Factory with their self-proclaimed “hypnotic arrangements, complex layered melodies and synthetic rhythms known as ‘Psychedelic Trance,’ leaving behind all their dying ‘Trance’ cousins in the mainstream.”

All this sonic and visual display is part of their worldwide Animatronica Live Spring Tour. Opening acts include Far Too LoudAu5, and Randy Seidman.

Infected Mushroom’s brand new stage is the the first of its type. Imagine; a steam blasting, eye popping, self standing mechanical “Steampunk” themed mushroom. This mechanical being is more than a stage production, but an art installation with a darkened soul. Infected Mushroom gives life to a new type of live element sure to satisfy the thirst of this ever-changing and rapidly evolving hunger the masses desire. Built by local artist Duane Flatmo, Animatronica will set a new standard in stage production and design for 2015.

Photos by Daniel Wooden

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Concert Recap: The Disco Biscuits @ Electric Factory

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The Disco Biscuits capped off 3 straight sold out shows at the Electric Factory, Saturday night [2/21], by fittingly playing 3 extended sets for an enthralled crowd of avid supporters. Braving first snow, then drizzling rain and slushy streets [add to that Uber 4x price surges and occupied cab wars — “I’m gonna run down the street through freezing puddles to hopefully snag a cab ahead of the other group waiting”], the enthusiastic many who found themselves inside the especially cozy mainstay venue were thoroughly entertained — and expressing their joy to be there.

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Such expressive methods included bliss-fully, and spin-fully, jam-dancing, showing off quirky style accessories and goofy hats, all the while taking in the high-tech light and laser show beaming out from the stage.

In fact, I learned a new holiday exists as I overheard when many a delighted friends [old and new] found each other in the crowd exclaiming “Happy Biscuits…. maaaaaaan!!”

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All these ‘Biscuits’ needed were some wavy gravy, and that was no doubt supplied as the Philadelphia natives, who originally formed their band at UPenn — Allen Aucoin (drums), Marc Brownstein (bass), Jon Gutwillig (guitar), and Aron Magner (keyboards, synths) — served up the lubricant soundtrack for an all out groove-fest… and just a really good time.

Photos and words by Aran Hart



Legendary DJ Jazzy Jeff and International Music Producer Rich Medina Join Tarik “Black Thought” Trotter of The Roots and A Special Surprise Celebrity Guest for a Classic Dance Party to Raise Funds For Women and Girls Living in Economically Disadvantaged Communities

On February 21st, Tarik “Black Thought” Trotter, co-founder and lead MC of the GRAMMY® Award-winning hip hop band, The Roots, will host the 5th Annual Let’s Move It: Philly! charity dance party to raise funds for the GrassROOTS Community Foundation (GCF). In addition to hosting, Black Thought, co- founder and Chairman of the Board for GCF, will perform alongside hip hop legend DJ Jazzy Jeff and international producer and DJ Rich Medina. New this year is a special surprise celebrity guest committed to helping young girls and women lead healthy, happy lives. Let’s Move It: Philly! will take over Trilogy, formerly The Palmer Social Club, located at 601 Spring Garden Street, Philadelphia, PA 19123. Doors open at 9pm.

To purchase tickets, visit:

Video of previous Let’s Move it Philly! Events

The GrassROOTS Community Foundation—co-founded by Black Thought and Dr. Janice Johnson Dias—is committed to contributing to the health and well-being of vulnerable populations and disadvantaged communities. Using rigorous scientific research, GCF creates innovative, health and wellness-centered, community-based programming that provides educational and recreational services to girls and women.

“We want to interrupt the structural inequality that exists in our communities; food access and health disparities are much higher in the African American and Hispanic populations than the rest of the nation,” says Dr. Johnson Dias. “The GrassROOTS Community Foundation recognizes and upholds young girls and women—specifically those of color—as agents of change and creates spaces for them to thrive physically, economically and emotionally. We know it is not enough to just describe the water in which people are drowning, we have to move and do the work together to change the tide.”

This year’s beneficiary organization is the Anna L. Lingelbach Elementary School in Germantown. In August 2014, there was a national outcry after it was revealed the school received only $160 in discretionary funding for the entire 2014-2015 school year. With a total student body of 400, spending equates to just 2.5 cents per pupil. The budget was to cover the costs of everything from books and copier paper to stamps and afterschool activities. After learning of the unfortunate appropriation, GCF moved into action. The proceeds from Let’s Move It: Philly! will go toward building an afterschool program at the school and increasing the capacity of youth and adults in the Germantown neighborhood. This program, titled LEAVES, is a social action public health program for middle school aged-girls. Funded by the Annie E. Casey Foundation, LEAVES will educate and inform community members about health disparities; amplify youth and community members’ voices on local health concerns and begin a community partnership to establish community investment in girls’ well-being.

GCF is committed to the LEAVES program at Lingelbach for three years.

“We’re excited to be part of the Linglebach community and to start the LEAVES afterschool program. As a father, I always want my children to have access to activities that challenge their bodies and their minds, and make them better people,” said Black Thought. “This year’s Let’s Move It Philly concert is going to be amazing and will give people an opportunity to party for a purpose with me and my friends.”

Building on the success of First Lady Michelle Obama’s national call to action to encourage young people and family members to be active and make better food choices, Let’s Move It: Philly! is one of GCF’s 10 city initiative— which is also active in Newark—that addresses health inequality for African Americans and low- income communities.

The Let’s Move It: Philly! dance party is part of a day-long wellness event which begins with a Townhall Conversation about Health at Lingelbach School, which will happen in the morning.

Let’s Move It: Philly! is sponsored by Monami Entertainment, Skai Blue Media and Superfly Mom.

To purchase tickets, visit:

Video of previous Let’s Move it Philly! Events

ABOUT GrassROOTS Community Foundation
The GrassROOTS Community Foundation (GCF) is an anti-poverty and wellness organization that supports, develops, and scales community-driven solutions to the health challenges facing women and girls living in poverty. For more information, visit

ABOUT Skai Blue Media
Skai Blue Media is a full-service communications agency based in Philadelphia. We bring together experience from the fields of public relations, journalism, video production, retail and non-profit in addition to maintaining close relationships with media outlets, business networks influencers, entrepreneurs and decision-makers. Skai Blue Media specializes in helping businesses build their communications foundation. Whether we are helping a client prepare for a store opening or generating press opportunities in regional and national publications, our unique pitching style is secures coverage in niche and national publications. However big or small, we provide each client with an individualized approach to garnering press and creating unique collaborations. For more information, follow us online @SkaiBlueMedia or visit
ABOUT Monami Entertainment
Monami Entertainment is a multi-faceted boutique entertainment company specializing in talent management, brand development and film/television production. Founded by Haitian-American philanthropist Mona Scott-Young, Monami Entertainment was created on the premise of maintaining Scott-Young’s track record for success while expanding the scope of services beyond music to encompass all areas of the entertainment business.