Tomorrow, January 29 from 6 to 8 pm is the Opening Reception of PAA’s Winter Exhibitions [running until April 5th] featuring the works of the following artists.
The Philadelphia Art Alliance is located at 251 S. 18th St., Philadelphia, PA 19103.
For more information: Philartalliance.org or 215-545-4302.
Admission: $5 for adults, $3 for students and seniors, free for members
The Philadelphia Art Alliance is dedicated to the advancement and appreciation of innovative contemporary art with a focus on craft and design, and to inspiring dynamic interaction between audiences and artists.Since its founding in 1915, the PAA has presented the work of artists and designers working in a wide variety of media, from ceramics and jewelry to textiles and sculpture. Each year we present up to twelve new exhibitions featuring the work of emerging and established artists. Rather than understanding “craft” as a class of objects, the PAA encourages visitors to consider “craft” as a verb. This broader definition means that our exhibitions encompass a range of topics and types of work, from useful and decorative objects to sculpture and installations. Our diverse program of exhibitions, inspired by our setting in a masterfully crafted domestic space, can thus be communicated to visitors in engaging and unexpected ways.
Robyn Weatherley: Trace
Image: Adieu, 2012; blown glass, paper
In an installation of new and recent works, Robyn Weatherley explores intangible remnants. She addresses concepts of passage, transition, and residual memory in relation to body, psyche and environment. Her imagined vestiges contemplate our unconscious and often invisible interactions with the world. From the seemingly mundane act of breathing to the emotional residues that may be left behind in the wake of a psychological experience, she aims to make visible some of what lies beyond the reaches of our ordinary senses. Her works range from a large installation of individual breaths captured in glass set adrift in delicate boats to works constructed through the meticulous build up and layering of very thin fragile shards of blown glass.
Robyn Weatherley earned a Master of Fine Arts in Glass at Tyler School of Art at Temple University in Philadelphia, PA in 2013, where she was also awarded a highly competitive Temple University Fellowship and Teaching Assistantship for the duration of her graduate studies. She earned a Bachelor of Fine Arts with distinction at the Alberta College of Art and Design in Calgary, Canada in 2010. She has worked, studied in Canada, the United States and Scotland. Her work has been exhibited in Philadelphia, as well as Calgary, Edmonton, Montreal, Toronto and Ottawa in Canada. Robyn currently lives and works in Calgary, Canada and serves as the Managing Editor of Contemporary Canadian Glass; Magazine of the Glass Art Association of Canada (GAAC).
Delainey Barclay: Paper and String
Image: Space In Between (detail), Vintage Wallpaper, multi-media.
Delainey Barclay’s recent body of work for the PAA is focused on air, shadow, light and space. To keep the large-scale pieces, which resemble textbook atomic structures, relatable to the viewer in her installations, Barclay uses childhood craft projects as a basis for the techniques used in assembling the work. Everyday objects that can be found in abundance in most households are the materials from which she has chosen to make all her three-dimensional forms. Whether it is formed from vintage magazines and wallpapers, or string and other craft materials, her work focuses on both materials and process. These are often paired with paintings that explore these concepts in two-dimensional form and cross the boundaries between craft and fine art, making the work approachable and giving it a familiarity.
Barclay’s other body of work Delainey Barclay is an oil painter and installation artist based in Wilmington, Delaware. Since receiving a Bachelor of Fine Arts degree from the Columbus College of Art and Design, she has maintained a working studio. She is also a founder of Project Space, an artist run gallery, installation lounge and studio space.
Kate Clements: Charade
Image: Blue Frame II, 2104; kiln-fired glass
In her work, Kate Clements explores the ambiguity of fashion-its capacity for imitation and distinction, its juxtaposition of the artificial and the natural. She sees the life cycle of fashion as a process of creative destruction by which the “new” replaces the “old,” yet nothing is truly new. By the time a new style has been produced for mass consumption, it has been casted aside or even rejected by elite society as a bi-product of class division.
Clements’ choice of materials acknowledges and embraces ideas of imitation. Glass represents a counterfeit to jewels; wood vinyl covering cheap plywood creates the illusion of solid oak. Cut outs suggest the absence of an object that is no longer there, present only through its trace. These imitations and absences act as a veil of protection that is ultimately removed when the viewer discovers what attracts them to the work are deficiencies.
Kate Clements received her BFA from the Kansas City Art Institute in 2011 and came to Philadelphia in 2013 from the Midwest to pursue her MFA in glass at the Tyler School of Art of Temple University where she was awarded a University Fellowship. Her work has been featured in Italian Vogue Gioiello magazine and she was recent recipient of the Academic Award from Bullseye Glass Emerge 2014, A Showcase of Rising and Evolving Talents in Kiln-Glass.